Review

You get a lot of Eluvium for your money on Nightmare Ending. However the album does feel somewhat sprawling and disjointed as a result.

Along with Let’s Get Out Of This Country and My Maudlin Career, Desire Lines now completes a trilogy of three of the best indie pop records ever.

Miles Kane’s enthusiasm pushes the album along at a relentlessly breathless rate, but enthusiasm can only take you so far and soon tolerance for hi...

For all the dark, depthless beauty of Baths' immaculately constructed record, its solidity feels too opaque.

This isn’t a heartbreaking work of staggering genius, it doesn’t have the depth of this year's great pop touchstones, Tegan and Sara’s Hearthrobb o...

It's an album to wallow in, that worms its way into your fibres.