Founded Drowned in Sound in the year 2000. Recommender of music. Manager of artists such as The Anchoress and Charlotte Church. Run the DiS independent label.
What’s felt good? What seemed grubby?
What feels fine for “creators” (podcasters, YouTubers, journalism, etc), but doesn’t - for whatever reason - seem to make sense for music?
I’m working on a series of Drowned in Sound podcasts and potentially some essays/newsletters about ‘the financialization of
